katharina balgavy

Program + Publications [selection]

Berlin Art Week
From Theory to Practice, Gallery Climate Coalition Panel and Talk
September 15, 2023
Neue Nationalgalerie, Berlin (DE), 2023
Franziska Reinbothe x Laura Sachs
Unfolding a line, Panel and Conversation
June 9, 2023
Gr_und, Berlin (DE), 2023
Alteronce Gumby, Artist Talk
Le Mile, Fall/Winter 2021
Cross Colours, Alteronce Gumby
Bode Projects, Berlin (DE), 2021
Crisis and Form, Revisionen zur Geschichte der Gegenwart
Nathan Brown, Sabeth Buchmann, Diedrich Diederichsen, Katja Diefenbach, Helmut Draxler, Felix Ensslin, Christian Höller, Eva Kernbauer, Alexi Kukuljevic, Peter Osborne, Kerstin Stakemeier, Eva Maria Stadler
Die Angewandte Publication, Conference, 2017
Vienna (AT), January 27 – 28, 2017
Crisis and Form, University of Applied Arts Vienna
with Helmut Draxler, Kerstin Stakemeier, Conference and Symposium
in cooperation with the Academy of Fine Arts Nuremberg (DE), 2016
Vienna (AT), December 2 – 4, 2016
Salon der Angst, Fragility with Marina Faust
Kunsthalle Wien, Vienna, 2014
South Meets North: Local Innovation, Global Conversation
Kulturen in Bewegung, MAK Museum of Applied Arts, Vienna, 2014
Autobiography, Chronicles of our times
with David Goldblatt, Roger Ballen et al.
The South African Centre for Photography, Cape Town, 2012
Contributions [Selection]Thyssen-Bornemisza Art Contemporary: The Commissions Book
Sternberg Press, 2020
Dagmar Koller, Goldene Zeiten
VfmK Verlag für moderne Kunst, 2017
Allan Sekula: Okeanos
February 21 — May 14, 2017, TBA21–Augarten, Vienna
Mario García Torres: An Arrival Tale
June 17 — November 20, 2016, TBA21–Augarten, Vienna
Kunstglaube, Corporeality and Sexuality
With Doug Aitken, Damien Hirst, Pipilotti Rist, Takashi Murakami, Erwin Wurm, Robert Drummond, Anders Krisar, Tanja Nis-Hansen among others
April 25 — June 15, 2014, Votive Church, Vienna
Ragnar Kjartansson: The Palace of the Summerland
April 3 — June 8, 2014, TBA21–Augarten, Vienna
Amar Kanwar: The Sovereign Forest
November 23, 2013 — March 23, 2014 TBA21–Augarten, Vienna
Cerith Wyn Evans: The What If?... Scenario (after LG)
July 5 — November 3, 2013, TBA21–Augarten, Vienna
Sharon Lockhart | Noa Eshkol
November 23, 2012 — February 24, 2013, TBA21–Augarten, Vienna

1.2 Exhibitions

Curated Exhibitions:Unfolding a line, Franziska Reinbothe, Laura Sachs
Gr_und, Berlin (DE)
May 19 – June 10, 2023
29 at Reinbeckhallen,
Bode Projects, Reinbeckhallen Berlin (DE)
November 20, 2021 – January 16, 2022
Cross Colours, Alteronce Gumby
Bode Projects, Fasanenstr. Berlin (DE)
September 15 – October 23, 2021
Witness or Pretend: Decoding Materiality in Southern Art
Bode Projects, Fasanenstr. Berlin (DE)
May 15 – June 19, 2021
I Saw It Hang Down There
Bode Projects, Fasanenstr. Berlin (DE)
August 7 – September 4, 2021
If Yesterday Was Tomorrow What Is Today
Bode Projects, Fasanenstr. Berlin (DE)
November 26, 2020 – February 20, 2021
Otherwise All Was Silent
Bode Projects, Fasanenstr. Berlin (DE)
October 22 – November 21, 2020
Co-curated Exhibitions:Look, Listen and Respond
Bode Projects, Fasanenstr. Berlin (DE)
June 26 – July 31, 2021
London Abscape: Abstracted Landscapes in Painting
Surrounding the studio of Frank Bowling
Bode Projects, Fasanenstr. Berlin (DE)
September 11 – October 17, 2020
The Collection Of Stateless Things
Musée Apatride Partagé
with Kantuta Quiros and Aliocha Imhoff
Cité des Artes, La Réunion (FRA)
May 11 – May 15, 2017
Making Africa: A Continent of Contemporary Design
The Guggenheim Museum, Screening
Bilbao, Spain (ES)
February 19 – February 21, 2016
South x North: Local Innovation. Global Conversation
with Kulturen in Bewegung
MAK Museum of Applied Arts, Vienna (AT)
September 26 – October 5, 2014
Contributed Exhibitions [Selection]There Is No Measure
Parallel, Vienna (AT)
September 23 – September 29, 2019
Potentiale
Montforthaus, Feldkirch (AT)
October 30 – November 19, 2015
Nothing is Golden
Parallel, Vienna (AT)
September 22 – September 27, 2015
The Grid: Nothing is Golden
Castle of Good Hope, Cape Town (ZA)
March 15 – April 14, 2015
Roland Barthes, 100
EIKON, Quartier21 Museumsquartier, Vienna (AT)
November 11, 2014 – Februar 14, 2015
Photo Vienna
MAK Museum of Applied Arts, Vienna (AT)
November 27 – November 30, 2014
Fearless Renewal
MC Theater, Westergasfabriek, Amsterdam (NL)
October 8 – October 11, 2014
In the Way of Dance
US Gallery, Stellenbosch (ZA)
October 5 – October 31, 2012
Land and Cityscape
IZIKO South African Museum, Cape Town (ZA)
September 28 – October 31, 2012
Salon/LOCALE
Longstreet Baths, Cape Town (ZA)
February 19 – May 26, 2012

katharina balgavy

Katharina studied Cultural and Critical studies, Media studies and Managerial Economics. She curated and contributed to panels and exhibitions like Berlin Art Week, Vienna Design Week, «Making Africa: A Continent of Contemporary Design» at The Guggenheim Museum Bilbao; The Grid at the Castle of Good Hope, Cape Town among others. She works as a curator, producer, and strategist in innovation, research, archive and culture management. Her research and program activities are characterised by their investigations of globalisation, frameworks in environmentalism, ecology and socio-economical studies.Katharina Balgavy founded The Plastic Index e.V. which mediated on future ecologies, culture and sustainability, intersecting practice and interdisciplinary research. Sustainable projects and advisory for a strong standing legacy in collections and institutions, enabling corporate governance, sustainability and diversity in the program, distribution, and in publishing. Read More

hello@katharinabalgavy.com

katharina balgavy

2.1 ragnar kjartansson

AT/2014Ragnar Kjartansson and Friends The Palace of the Summerland is a multi-layered work created by Kjartansson in collaboration with more than twenty artists, musicians, family and friends while residing in TBA21's Augarten exhibition space for a durational performance.Ragnar Kjartansson – The Palace of the Summerland
April 3—June 8, 2014 | TBA21–Augarten, Vienna

2.2 mario garcia torres

AT/2016Mario García Torres – An Arrival Tale
June 17—November 20, 2016 | TBA21–Augarten
commissioned by Thyssen-Bornemisza Art Contemporary

2.3 sharon lockhart | noa eshkol

AT / 2012Sharon Lockhart | Noa Eshkol
November 23, 2012 — February 24, 2013
Chamber dance group performance, Secession Wien, Vienna, AT
commissioned by Thyssen-Bornemisza Art Contemporary

2.4 gmp architects

ZAR/2012FIFA Worldcup Stadium commissioned by gmp Architects
South Africa, Cape Town

2.5 heribert brandl

2.6 oscar niemayer

BRA/2010Museu de Arte Contemporânea de Niterói, Rio de Janeiro [BRA]

2.7 stefano bernadin

AT/2014
Stefano Bernardin, Kunsthalle Wien, Vienna [AT]

2.8 angelika loderer

AT/2012/2017
Angelika Loderer for Parnass Magazine, 2018, Vienna [AT]

2.9 architectural digest

GER/2008

3.1 the airfield

GER/2013Berlin’s airfield Tempelhof was first officially designated as an airport in 1923. The site was used as a parade field by Prussian forces, and by unified German forces from 1720 until the start of World War I. As part of the Architect Albert Speer's plan for the reconstruction of Berlin during the Nazi era and World War ll, Ernst Sagebiel was ordered to replace the old terminal with a new terminal building in 1934. The airport halls and the adjoining buildings, intended to become the gateway to Europe and a symbol of Hitler's ‘world capital’ Germania, which are still known as one of the largest built entities worldwide, have been described by British Architect Sir Norman Foster as ‘The mother of all airports’. The image series is exploring notions of nationalism and the exclusion of historical information on site. Today, a vast landscape and landmark including an inactive airport, it does not show signs or descriptions of its historic events on site.

3.2 there is no measure

AT/2015The form of diagnosis: crisis as historical reality or as a literary trope
There is no measure refers to associated aspects in the formalities and denial of climate change and sustainability, of crisis as a form in democracy. The field performance was a response to the Climate Conference of all Parties COP21 in 2015. COP stands for Conference of the Parties, referring to the countries that have signed up to the 1992 United Nations Framework Convention on Climate Change. COP21 was held Nov 30 – Dec 12, 2015 in Paris. The term crisis is rooted within the nature of things, in the historical conditions of capital and social relations, cultural alienations or the pertification of instrumental reason. Such objective determinations of crisis imply a subjective dimension, intrinsically related to the specific acts of diagnosis, critique, or cure. The sequential series addresses a landscape, a golden rescue thrown into the air, whereas the same landscape was left behind in the frame.
German (excerpt)
There is no measure bezieht sich auf den Zustand der ökologischen Krise, in welchem die nachhaltige Ökonomie von Globalisierung und Demokratie als Formalismus aufgezeigt wird. Formalismus steht allgemein für eine Betonung der äußeren Form unter Vernachlässigung des Inhalts einer Sache. Die Arbeit dokumentierte eine Performance in einer Landschaft, die mit einer goldenen Rettungsdecke bespielt wird – die Landschaft wird in sequentieller Folge sich selbst überlassen.

3.3 on the invasion of plants

2017–2020001
Euryops Chrysanthemoides,
Baryt print, 92 × 55 cm
002
Ligustrum Lucidum
Baryt print, 92 × 55 cm
003
Rhododendron Luteum
Baryt print, 92 × 55 cm
004a - 004d
187 Photocopies on Paper,
32 × 22 cm

3.4 keep it secret

ZA/2011The Monument was erected on the 100th anniversary of the National Party and Society of Real Afrikaners in 1975, overlooking the Western Cape in Paarl, South Africa. The Paarl Monument, described as a Language monument is situated in the Republic of South Africa which counts eleven official spoken languages. Apartheid was officially ended in 1990. Afrikaans originates from 17th century settlers and their Dutch dialects, and is spoken by a 13.5 percent of the total population in South Africa (2011). It is a fact of exclusion of various other languages spoken in the country, like Zulu, Xhosa, Sotho, Tsonga, Ndebele and many more languages are not represented. The Paarl Monument does exist as attraction without any references to nationalism, to Apartheid or historical, significant facts on site. The meaning of inclusion and exclusion in the symbolism of the monument leads to a paradox and distorted image of the nature of national heritage and the symbolic manifestations of nationhood. Keep it secret refers to hidden facts on site, censorship within the educational system of diverse culture groups and various language codes in processing history for the total of the South African population.

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